|
|
This, and
a glut of 1950's movies for sub-aquatic intrigue, moulded in my
young mind my first perception of the submarine ... It was all beautifully
sanitised and innocent, as befits childhood years.
Innocence, like all living
things. runs its course. On a chilly Friday morning in December
1963, at the age of 15, 1 was ejected from school ... on the following
Monday, laden with 'tea-can and piece', I shuffled my whimpish frame
through the gatehouse of the mighty John Brown's Shipyard to be
apprenticed.
|
|
An
apprenticeship is a kind of adoption ... taken into care and taken the
'Mickey out of' simultaneously. Under the wing of these grown men, my
'real' education began. Packed into this ribbon of land, one mile long
by a quarter wide, were seven thousand men ... seven thousand lives, happy,
mean, bitter, talented and any other description you could think of.
|
The Second World
War had finished 18 years ... the bulk of them had been in it somewhere.
Here were real stories to fire an active mind ... a vast richness
of human experience. This was more real than long division and basket
weaving and I was proud to be part of it. Around me were men who
had, in five years. seen more than most in a lifetime ... some had
sailed in convoys, others in submarines ... reality dawned and my
innocence faded.
|
|
|
|
Shipbuilding
is a no nonsense game. It is dirty, noisy and dangerous, but it has
a visual richness that you can find nowhere else. The forces used
to mould ships have their own intimate beauty. Rust, red lead, fire,
rivets and steel ... it is the shapes and textures of this environment
that dissolve into much of my work. Toiling in and around a huge mountain
of red leaded steel in a hell of noise ... you get to despise it all...
yet, there is a pride hard to match in any other industry. There is
nothing to compare to the sight of 68,000 tons of harnessed steel
slip gracefully into its element. It is a gigantic birth with all
the encumbering emotions. |
|